Walt still has his lab job at this time, and the world seems open to them, and he tries to talk Skyler out of this “starter house” and into something bigger because “why be cautious? Saul Goodman (Bob Odenkirk) is back, but he's not the criminal lawyer Breaking Bad fans remember. Not only is the scene beautiful and ominous, it is like the plane crash a reminder that Walt’s actions have consequences that spill out far beyond his comprehension, reverberating past the people in his life and down miles away, to stranger who’ll come calling. Series premieres Sunday January 20 @10PM | 9C. Contact him through Twitter (@ckinger13) or email ([email protected]). This one was… This one was… Breaking Bad 2.0 Opening Title Sequence - Gold Open on Vimeo But after his would-be buyer gets angry and goes to walk away, Badger feels bad, and lets himself be talked (and in fact has to do the persuading) into making the sale by the urban legend that undercover policemen have to answer truthfully when asked if they’re law enforcement (it is not, as Qualls claims, “in the Constitution”). Jesse’s no fan of fine art, and he’s bored and displeased with the lack of vaginas that was promised to him (did O’Keeffe have medical issues, he wonders, looking at what’s actually a painting of a door). It's shot on film, in New Mexico, at a pace that would never fly on broadcast TV, and every episode seems to include at least one sequence filmed from the perspective of a sink drain, or the bottom of a skateboard, or the inside of a meth-cooking cauldron. ], Mike Ehrmantraut’s extreme but quiet competence is a key aspect of his patient, world-weary character, and seeing him in action — the businesslike care he takes while never getting pleasure out of violence — is one of the show’s great thrills. Opening credit sequence for season 1 of 'Breaking Bad' The opening of this episode and of the second season of “Breaking Bad” turned out to be a repeated motif — a woozy, doom-laden, enigmatic black and white sequence focusing on that floating eyeball there like the baleful gaze of some watchful deity. In this open, we see smoke puff out into blackness, only to find out that it’s actually Mike’s breath, visible in the cold of a refrigerated Los Pollos Hermanos truck transporting batter and drugs. Of course, he does survive — and is the worse for it. The accelerated footage that the show likes to use as a stylistic touch (reminiscent of a world on speed) has never seemed sadder than here, as Wendy whiles the day away waiting to be free to do more drugs in her room, bending toward lap after lap after lap (after she spits out her gum), and providing one of the show’s rare looks at a life that revolves around meth use. Re-created opening sequence credits for Breaking Bad entirely in Adobe After Effects. Post jobs, find pros, and collaborate commission-free in our professional marketplace. Opening credit sequence for season 1 of 'Breaking Bad' Although the cold opens highlighted here (and in the compilation videos embedded below) are from later years, Breaking Bad has had a commitment to making the opening sequence … ], This Bryan Cranston-directed episode offers the most memorably strange and haunting out-of-context image in a series full of them — the sight of a group of people crawling on the ground toward something, with others walking past or around them, paying them no mind. A graduate of Saint Joseph's University in Philadelphia, where he majored in English and Film, Chris has been writing for TVOvermind for over four years and has written about several different television shows, such as New Girl, Breaking Bad, Glee, and Homeland. It’s the White family pool in which that mangled, half-singed teddy bear is floating (no coincidence that two seasons later Gus Fring would face a similar injury), sirens wailing in the background, and as we see more of this flashforward in later episodes — in “Down,” “Over,” “Phoenix” and “ABQ,” the titles forming a sentence warning of what’s to come — we can only piece together that some disaster is coming, something that will leave two bodies out in the front of the house. The RV barreling through, breaking the serene silence of the desert. That opening scene truly set the tone for the rest of Breaking Bad and here’s how. What eventually arrives isn’t the violent repercussion we might have expected at first, but something weirder and, in some ways, worse. The in medias res opening isn’t in itself so exceptional, but the first episode of “Breaking Bad” does manage to drop its main character into some incredibly deep shit before we ever get to know him. 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